Back in 2010 we went to a marvellous sculpture exhibition in Gloucester Cathedral and a recent post by
Sue alerted us to the opening of a follow up -
Crucible 2 - which opened on September 1st and runs until the end of October. Set within the grounds and buildings of this stunning cathedral are 100 pieces from the likes of Damien Hirst, David Mach, Gavin Turk and Marc Quinn and other well known artists, such as
Terence Coventry, a personal favourite for his smaller works of crows.
Another favourite of mine is
Alastair Mackie who works with unusual materials. This piece in the exhibition, entitled 'Sphere', is made of the skulls of many mice and I was drawn into the patterns made by the interlocking bones. In the last exhibition he had made a house out of the material of wasp's nest and we had actually responded to a call for materials and sent him some so it was great to see what he made of it.
The sculptures are placed all over the cathedral which encourages you to take in everything else so it was no surprise that I was stopped in my tracks by this effigy of the Bishop of Malvern, covered in the graffiti of visitors over the centuries. I remember taking loads of photos last time so why I felt the need to add to them I do not know. I just get involved in looking at the letters, the marks and what has been written and when.
In the photo above it's plain to see names carved in 1700. In a smaller room I found a name that had been carved in 2012 and I was horrified at the 'vandalism' of it. My husband asked me why I thought it was lovely to look at 300 years old marks and yet unacceptable to see the same done so recently. That certainly made me think and I'm still not sure I know the answer why as I love looking at man made marks in places. Any theories gratefully received!
If I had one piece I could give a home to it would be 'Vesqua' by
William Pye, well known for his water sculptures. This large vessel was constantly funnelling water down through the central square and the sound of running water seemed to drown out the constant hubbub of noise from everyone around it. The cathedral was packed with visitors but focussing on the water just made them fade away in my head. I was entranced by the reflections of the stained glass seen through the almost glasslike sheen to the surface water of the piece and probably spent over 30 minutes just staring into it.
I went back to this piece before we left and the reflections of the windows and the noise of the water are my abiding memory of a fantastic exhibition. Highly recommended if you're anywhere near Gloucester!